Jason Farrow

Navigating life through form.

Artwork

Shrine (Pokie machine) 2
Shrine (Pokie machine) 2023.

Still life featuring schooner glasses and ashtray.

aluminium, fibreglass, concrete, steel, water based paint, patina 80 x 125 x 205 cm.



Shrine (Pokie machine) 2023.

Still life featuring schooner glasses and ashtray. Photograph courtesy of Max Farrow.

aluminium, fibreglass, concrete, steel, water based paint, patina 80 x 125 x 205 cm.
Installation for ‘Moonlighting’ 2022. Photograph courtesy of Claudia Lowe.
Installation for ‘Moonlighting’ 2022. Photograph courtesy of Claudia Lowe.
Kneeling man, 2022.
Patinated bronze, 53 x 23 x 25cm. Photograph courtesy of Claudia Lowe.
Edition of 3.
Kneeling woman, 2022.
Carrara marble, 60 x 30 x 30cm.
Photograph courtesy of Claudia Lowe.
Seated woman, 2022.
Patinated bronze, 41 x 31 x 33cm.
Edition of 3. Photograph courtesy of Claudia Lowe.
Seated woman, 2022.
Carrara marble, 60 x 30 x 30cm.
Photograph courtesy of Claudia Lowe.
Seated figure n.1, 2022.
Patinated bronze, 51 x 25 x 24cm.
Edition of 3. Photograph courtesy of Claudia Lowe.
Seated figure n.1, 2022.
Carrara marble, 60 x 30 x 30cm.
Photograph courtesy of Claudia Lowe.
Installation of ‘Faces in the Street,’ inspired from the Henry Lawson poem, 2022.
Foam, acrylic, 108 individually carved pieces. Photograph courtesy of Claudia Lowe.
Installation of ‘Faces in the Street,’ inspired from the Henry Lawson poem, 2022.
Foam, acrylic, 108 individually carved pieces. Photograph courtesy of Claudia Lowe.
Installation of ‘Faces in the Street,’ inspired from the Henry Lawson poem, 2022.
Foam, acrylic, 108 individually carved pieces. Photograph courtesy of Claudia Lowe.
Installation for ‘Ruminations,’ 2023.
Installation for ‘Ruminations,’ 2023.
Sandstone carving from artist residency at Sanskriti Foundation, New Delhi, 2019.
Sandstone carving during artist residency at Sanskriti Foundation, New Delhi, 2019.
Mark, 2017.
On display at Sculpture in the Vineyard’s, Wollombi.
Foam, resin, patina, 115 x 110x 114cm.
Mark, settled in the Kangaroo Valley.
Foam, resin, patina, 115 x 110x 114cm.
Three Sisters, 2017.
Foam, resin, patina, 59 x 63 x 40cm. Photograph courtesy of Mark Baxter.
I I I (triptych), 2017.
Foam, resin patina. Photograph courtesy of Mark Baxter.
I I I (triptych), 2017.
Foam, resin patina. Photograph courtesy of Mark Baxter.
installation for ‘The Bout’ with Jonathon de Pyper, 2017.
foam, resin, patina, 68 Individually carved pieces. Photograph courtesy of Mark Baxter.
installation for ‘The Bout’ with Jonathon de Pyper, 2017.
foam, resin, patina, 68 Individually carved pieces. Photograph courtesy of Mark Baxter.
Self-Medicating, 2015.
Foam, resin, found brick, 19 x 30 x 27cm. Photograph courtesy of Mark Baxter.
Masks, 2015.
Foam, resin, found brick, 30 x 25 x 48cm. Photograph courtesy of Mark Baxter.
Hand, 2015.
Foam, resin, found brick, 15 x 28 x 12 cm. Photograph courtesy of Mark Baxter.
She waits, 2015.
Foam, resin, found brick, 45 x 36 x 28cm. Photograph courtesy of Mark Baxter.
Fern’s in the rain (triptych), 2016.
Resin, acrylic. Photograph courtesy of Mark Baxter.
Danny, 2016.
Resin, acrylic, 178 x 122cm. Photograph courtesy of Mark Baxter.
Dad’s aloe vera, 2016.
Resin, acrylic, 178 x 122cm. Photograph courtesy of Mark Baxter.
Rosellas tussle, 2016.
Resin, acrylic, 178 x 122cm. Photograph courtesy of Mark Baxter.
Aggressive Dickhead n.2, 2016.
Resin, acrylic, 178 x 122cm. Photograph courtesy of Mark Baxter.
Skull 1, 2016.
Resin, acrylic, 91 x 91cm. Photograph courtesy of Mark Baxter.
Canary 1, 2016.
Resin, acrylic, 92 x 61cm. Photograph courtesy of Mark Baxter.